Full archival service package for the British photographer Martin Parr, including scanning, publications and exhibitions.



Collectors prints for ‘Lips Touched with Blood’ by Sarah Waiswa, 2021



Pre-press colour management collaboration
with ICVL Studio for ‘Teen Spirit’ by Vincen Beekman, 2022



Exhibition prints for several photographers as part of ‘Generations; Portraits of Holocaust survivors’, initially opened in the Imperial War Musum and now held at the Royal Photographic Society, 2021



John Myers - The Portraits - Negative Scans and Retouching for book, 2018



Pre-press scan improvement and special edition print for ‘Agua’ by Denise Ariana Pérez - Guest Editions, 2021



Peter Mitchell- Viking Space Mission - Negative Scans and Retouched for Book, 2017



Negative Scanning, retouching and colour balancing for ‘Profunda’ by Lua Ribeira, 2021




Prints for the group exhibition Islands & Myths by Jon Tonks shown at Belfast Exposed, Belfast, 2018



John Myers - End of Industry - Negative Scans and Retouching for book, 2019



Exhibition prints for ‘The Fish that never Swam’ by Kirsty Mackay. They are part of an acquisition to the National Galleries Scotland permanant collection and are currently on show in the ‘Counted’ exhibition at the National Portrait Galley, Edinburgh, 2022



Exhibition and collectors prints for Lua Ribeira as part of Bristol Photo Festival, 2021



Negative scans for the project ‘Subterraneans’ by Andrew Youngson 



Negative scans, retouching and portfolio prints of ‘The Floating Harbour’ for Jem Southam, 2021



Jon Tonks - Editioned prints for the project ‘Empire’ by the British photographer Jon Tonks



Flatbed scans of prints for the exhibition ‘In Your Face’ by Paul Trevor shown at the Martin Parr Foundation, Bristol, 2018



Contact sheet and negative retouching for ‘Lost Dreams’ by Simon Wheatley, 2022



Negative Scans and Retouched for Book ‘Early Sunday Morning’ by Peter Mitchell, 2021



Editioned portfolio prints from 'Keywork' for 
Chris Hoare, 2021



Simon Wheatley - Archive scanning and retouching, 2014-Present




Vinca Petersen - Flatbed scans of prints for the British photographer Vinca Petersen



Collector prints for Bristol Photo Festival and installation experimentation with Jessa Fairbrother, 2022



Negative Scans and retouching for the Book ‘Something means some thing to Everyone’ by Peter Mitchell, 2015





Jem Southam - Negative scans for the book ‘The Moth’ published by MACK, 2018



Negative scans and retouching for the book ‘Looking at the Overlooked’, by John Myers, 2019



Marketa Luscakova - By the Sea - Negative scanning and Retouching for Book and Exhibition





Amak Mahmoodian - Negatives scans for the book ‘Zanjir’ co-published by IC Visual Labs/RRB Photobooks, 2019




Marc Vallée - Negative scans for the British photgrapher Marc Vallée




Pre-press work & CMYK conversions for Boris Mikhaïlov’s retrospective MEP book, 2022 



Editioned portfolio prints from 'Keywork' for
   Chris Hoare, 2021

 

Pre-press CMYK colour management collaboration
with ICVL Studio for ‘Teen Spirit’ by Vincen Beekman, 2022



Negative scans, retouching and Portfolio prints of ‘The Floating Harbour’ for Jem Southam, 2021



Pigment prints produced to help raise funds for Suzie Howell’s new working project, 2022



Negatives, scanned and retouched, for book ‘The Portraits’ by John Myers , 2018






Negatives, scanned and retouched, for the book ‘Viking Space Mission’ by Peter Mitchell plus collectors prints, 2017







Negatives, scanned and retouched, for book ‘End of Industry’ by John Myers, 2019




Negatives, scanned and retouched, for Marc Vallée, 2020



Negatives scanned, cleaned and mastered for book ‘Life as it is’ with RRB Publishing for John Myers, 2021



Editioned collectors prints from the project ‘Empire’ by Jon Tonks, 2014













‘Agony in the Garden’ Series fully produced for NFT’s, editioned prints plus exhibition prints for; ‘Close Enough: New Perspectives from 12 Women Photographers of Magnum’ at International Centre of Photography, New York, 2022



Negatives scanned, cleaned and printed as large format exhibition prints for artist, Esther May Campbell, 2022



Negatives scanned and colour graded for advertising usage ‘Petar Petrov  - Summer 23’,
Clémentine Schneidermann, 2022



Negative Scanning, retouching and colour balancing for ‘Profunda’ by Lua Ribeira, 2021



Exhibition prints for several photographers as part of ‘Generations; Portraits of Holocaust survivors’, initially opened in the Imperial War Musum and now held at the Royal Photographic Society, 2021



Collectors prints for ‘Lips Touched with Blood’ by Sarah Waiswa, 2021




‘The Men Who Would Be King’ - Negative scans and pre-press colour management along with  editioned prints for Jon Tonks, 2021


Negatives, scanned and retouched for Simon Wheatley, 2017



Exhibition prints for ‘The Fish that never Swam’ by Kirsty Mackay. They are part of an acquisition to the National Galleries Scotland permanant collection and are currently on show in the ‘Counted’ exhibition at the National Portrait Galley, Edinburgh, 2022



Negatives, scanned and retouched, for the book ‘By the Sea’ by Marketa Luscakova, 2019



Negatives, scanned and retouched, from the project ‘Subterraneans’ by Andrew Youngson, 2014




Flatbed scans of prints for the exhibition ‘In Your Face’ by Paul Trevor shown at the Martin Parr Foundation, Bristol, 2018




Negatives, scanned and retouched, for the book ‘Early Sunday Morning’ by Peter Mitchell , 2020








Pre-press scan improvement and special edition print for ‘Agua’ by Denise Ariana Pérez - Guest Editions, 2021



Slides scanned, cleaned and mastered plus pre-press CMYK management for book ‘Sofa Project’ by Colin Pantall, 2022



Collector prints for Bristol Photo Festival and installation experimentation with Jessa Fairbrother, 2022



Contact sheet and negative retouching for ‘Lost Dreams’ by Simon Wheatley, 2022



Hartford MFA show ‘Notes from a Detour‘ exhibition prints for Mico Toldero, 2022



Negatives, scanned and retouched, for the book ‘Some Thing Means Everything to Somebody’ by Peter Mitchell, 2015



Flatbed scans of prints from the project ‘No System’ for Vinca Petersen, 2020




Exhibition and collectors prints for Lua Ribeira as part of Bristol Photo Festival, 2021




Negatives, scanned and retouched, for the book ‘The Moth’ by Jem Southam published by MACK, 2018


Negatives, scanned and retouched, for the book ‘Looking at the Overlooked’ by John Myers , 2019 




Negatives, scanned and retouched, for the book ‘Zanjir’ by Amak Mahmoodian co-published by IC Visual Labs/RRB Photobooks, 2019




Negatives scanned, retouched and colour balanced for the book ‘Epilogue’, 2021  










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