Full archival service package for the British photographer Martin Parr, including scanning, publications and exhibitions.
Master scans and master pigment proofs for Richard Billinghams ‘Rays a Laugh’, published by Mack 2024
Negatives scanned and colour graded for advertising usage ‘Petar Petrov - Summer 23’,
Clémentine Schneidermann, 2022
Slides scanned, cleaned and colour perfected for prints sold to the Tate, Sir Horace Ove, 2023
Hartford MFA show ‘Notes from a Detour‘ exhibition prints for Mico Toldero, 2022
Collectors prints for ‘Lips Touched with Blood’ by Sarah Waiswa, 2021
Pre-press and colour assistance for Chris Hoare’s ‘Seven Hills’ published by RRB Photobooks, 2023
Pre-press colour management collaboration
with ICVL Studio for ‘Teen Spirit’ by Vincen Beekman, 2022
Exhibition prints for several photographers as part of ‘Generations; Portraits of Holocaust survivors’, initially opened in the Imperial War Musum and now held at the Royal Photographic Society, 2021
Slides scanned, cleaned and mastered plus pre-press CMYK management for book ‘Sofa Project’ by Colin Pantall, 2022
Close work & prints alongside music photographer Tom Ham and his close collaboration with the IDLES band, 2024
Editioned portfolio prints from 'Keywork' for
Chris Hoare, 2021
John Myers - The Portraits - Negative Scans and Retouching for book, 2018
‘Agony in the Garden’ Series fully produced for NFT’s, editioned prints plus exhibition prints for; ‘Close Enough: New Perspectives from 12 Women Photographers of Magnum’ at International Centre of Photography, New York, 2022
Pre-press scan improvement and special edition print for ‘Agua’ by Denise Ariana Pérez - Guest Editions, 2021
Peter Mitchell- Viking Space Mission - Negative Scans and Retouched for Book, 2017
Negative Scanning, retouching and colour balancing for ‘Profunda’ by Lua Ribeira, 2021
Prints for the group exhibition Islands & Myths by Jon Tonks shown at Belfast Exposed, Belfast, 2018
Exhibition prints for ‘The Fish that never Swam’ by Kirsty Mackay. They are part of an acquisition to the National Galleries Scotland permanant collection and are currently on show in the ‘Counted’ exhibition at the National Portrait Galley, Edinburgh, 2022
Negatives scanned, cleaned and printed as large format exhibition prints for artist, Esther May Campbell, 2022
Exhibition and collectors prints for Lua Ribeira as part of Bristol Photo Festival, 2021
Negative scans, retouching and portfolio prints of ‘The Floating Harbour’ for Jem Southam, 2021
Jon Tonks - Editioned prints for the project ‘Empire’ by the British photographer Jon Tonks
Flatbed scans of prints for the exhibition ‘In Your Face’ by Paul Trevor shown at the Martin Parr Foundation, Bristol, 2018
Contact sheet and negative retouching for ‘Lost Dreams’ by Simon Wheatley, 2022
Simon Wheatley - Archive scanning and retouching, 2014-Present
Vinca Petersen - Flatbed scans of prints for the British photographer Vinca Petersen
Collector prints for Bristol Photo Festival and installation experimentation with Jessa Fairbrother, 2022
Negative Scans and retouching for the Book ‘Something means some thing to Everyone’ by Peter Mitchell, 2015
Jem Southam - Negative scans for the book ‘The Moth’ published by MACK, 2018
Negative scans and retouching for the book ‘Looking at the Overlooked’, by John Myers, 2019
Marketa Luscakova - By the Sea - Negative scanning and Retouching for Book and Exhibition
Amak Mahmoodian - Negatives scans for the book ‘Zanjir’ co-published by IC Visual Labs/RRB Photobooks, 2019
Marc Vallée - Negative scans for the British photgrapher Marc Vallée
Master scans and master pigment proofs for Richard Billinghams ‘Rays a Laugh’, published by Mack 2024
Pre-press work & CMYK conversions for Boris Mikhaïlov’s retrospective MEP book, 2022
Master scans, retouching and book preparation for ‘Bristol Harbour’, Jem Southam/RRB Photobooks, 2023
Special editoned prints for Laura Pannack’s ‘Youth Without Age and Life Without Death’, published by Guest Editions, 2023
Editioned portfolio prints from 'Keywork' for
Chris Hoare, 2021
Pre-press CMYK colour management collaboration
with ICVL Studio for ‘Teen Spirit’ by Vincen Beekman, 2022
Negative scans, retouching and Portfolio prints of ‘The Floating Harbour’ for Jem Southam, 2021
Pigment prints produced to help raise funds for Suzie Howell’s new working project, 2022
Negatives, scanned and retouched, for book ‘The Portraits’ by John Myers , 2018
Scanning, digital manipulation and exhibition prints for artist Yuko Edwards, 2023
Negatives, scanned and retouched, for the book ‘Viking Space Mission’ by Peter Mitchell plus collectors prints, 2017
Negatives, scanned and retouched, for Marc Vallée, 2020
Editioned collectors prints from the project ‘Empire’ by Jon Tonks, 2014
‘Agony in the Garden’ Series fully produced for NFT’s, editioned prints plus exhibition prints for; ‘Close Enough: New Perspectives from 12 Women Photographers of Magnum’ at International Centre of Photography, New York, 2022
Slides scanned, cleaned and colour perfected for prints sold to the Tate, Sir Horace Ove, 203
Pre-press work & CMYK conversions for ‘FAME’ exhibtion catalogue for a show at Maraya Museum in Alula, Saudi Arabia, 2023
Negatives scanned, cleaned and printed as large format exhibition prints for artist, Esther May Campbell, 2022
Negatives scanned and colour graded for advertising usage ‘Petar Petrov - Summer 23’,
Clémentine Schneidermann, 2022
Negative Scanning, retouching and colour balancing for ‘Profunda’ by Lua Ribeira, 2021
Exhibition prints for several photographers as part of ‘Generations; Portraits of Holocaust survivors’, initially opened in the Imperial War Musum and now held at the Royal Photographic Society, 2021
Collectors prints for ‘Lips Touched with Blood’ by Sarah Waiswa, 2021
‘The Men Who Would Be King’ - Negative scans and pre-press colour management along with editioned prints for Jon Tonks, 2021
Negatives, scanned and retouched for Simon Wheatley, 2017
Exhibition prints for ‘The Fish that never Swam’ by Kirsty Mackay. They are part of an acquisition to the National Galleries Scotland permanant collection and are currently on show in the ‘Counted’ exhibition at the National Portrait Galley, Edinburgh, 2022
Negatives, scanned and retouched, for the book ‘By the Sea’ by Marketa Luscakova, 2019
Flatbed scans of prints for the exhibition ‘In Your Face’ by Paul Trevor shown at the Martin Parr Foundation, Bristol, 2018
Pre-press and colour assistance for Chris Hoare’s ‘Seven Hills’ published by RRB Photobooks, 2023
Pre-press scan improvement and special edition print for ‘Agua’ by Denise Ariana Pérez - Guest Editions, 2021
Digital retouching and exhibtion prints from “Ballade” by Michelle Sank - shown at Kalk bay modern in Cape Town, SA , 2023
Close work & prints alongside music photographer Tom Ham and his close collaboration with the IDLES band, 2024
Slides scanned, cleaned and mastered plus pre-press CMYK management for book ‘Sofa Project’ by Colin Pantall, 2022
Exhibition printing for ‘Dreamlines, Picturing Bristol High- Streets’, Public exhibitons held across Bristol alongside partners at Bristol Photo Festival, 2023
Collector prints for Bristol Photo Festival and installation experimentation with Jessa Fairbrother, 2022
Contact sheet and negative retouching for ‘Lost Dreams’ by Simon Wheatley, 2022
Hartford MFA show ‘Notes from a Detour‘ exhibition prints for Mico Toldero, 2022
Flatbed scans of prints from the project ‘No System’ for Vinca Petersen, 2020
Exhibition and collectors prints for Lua Ribeira as part of Bristol Photo Festival, 2021
Negatives, scanned and retouched, for the book ‘The Moth’ by Jem Southam published by MACK, 2018
Negatives, scanned and retouched, for the book ‘Looking at the Overlooked’ by John Myers , 2019
Negatives, scanned and retouched, for the book ‘Zanjir’ by Amak Mahmoodian co-published by IC Visual Labs/RRB Photobooks, 2019
Negatives scanned, retouched and colour balanced for the book ‘Epilogue’, 2021