



Pre-press work & CMYK conversions for Boris Mikhaïlov’s retrospective MEP book, 2022



Editioned portfolio prints from 'Keywork' for
Chris Hoare, 2021



Pre-press CMYK colour management collaboration
with ICVL Studio for ‘Teen Spirit’ by Vincen Beekman, 2022



Negative scans, retouching and Portfolio prints of ‘The Floating Harbour’ for Jem Southam, 2021



Pigment prints produced to help raise funds for Suzie Howell’s new working project, 2022



Negatives, scanned and retouched, for book ‘The Portraits’ by John Myers , 2018



Negatives, scanned and retouched, for the book ‘Viking Space Mission’ by Peter Mitchell plus collectors prints, 2017



Negatives, scanned and retouched, for book ‘End of Industry’ by John Myers, 2019



Negatives, scanned and retouched, for Marc Vallée, 2020



Negatives scanned, cleaned and mastered for book ‘Life as it is’ with RRB Publishing for John Myers, 2021



Editioned collectors prints from the project ‘Empire’ by Jon Tonks, 2014



‘Agony in the Garden’ Series fully produced for NFT’s, editioned prints plus exhibition prints for; ‘Close Enough: New Perspectives from 12 Women Photographers of Magnum’ at International Centre of Photography, New York, 2022



Negatives scanned, cleaned and printed as large format exhibition prints for artist, Esther May Campbell, 2022



Negatives scanned and colour graded for advertising usage ‘Petar Petrov - Summer 23’,
Clémentine Schneidermann, 2022



Negative Scanning, retouching and colour balancing for ‘Profunda’ by Lua Ribeira, 2021



Exhibition prints for several photographers as part of ‘Generations; Portraits of Holocaust survivors’, initially opened in the Imperial War Musum and now held at the Royal Photographic Society, 2021



Collectors prints for ‘Lips Touched with Blood’ by Sarah Waiswa, 2021



‘The Men Who Would Be King’ - Negative scans and pre-press colour management along with editioned prints for Jon Tonks, 2021



Negatives, scanned and retouched for Simon Wheatley, 2017



Exhibition prints for ‘The Fish that never Swam’ by Kirsty Mackay. They are part of an acquisition to the National Galleries Scotland permanant collection and are currently on show in the ‘Counted’ exhibition at the National Portrait Galley, Edinburgh, 2022



Negatives, scanned and retouched, for the book ‘By the Sea’ by Marketa Luscakova, 2019



Negatives, scanned and retouched, from the project ‘Subterraneans’ by Andrew Youngson, 2014



Flatbed scans of prints for the exhibition ‘In Your Face’ by Paul Trevor shown at the Martin Parr Foundation, Bristol, 2018



Negatives, scanned and retouched, for the book ‘Early Sunday Morning’ by Peter Mitchell , 2020



Pre-press scan improvement and special edition print for ‘Agua’ by Denise Ariana Pérez - Guest Editions, 2021



Slides scanned, cleaned and mastered plus pre-press CMYK management for book ‘Sofa Project’ by Colin Pantall, 2022



Collector prints for Bristol Photo Festival and installation experimentation with Jessa Fairbrother, 2022



Contact sheet and negative retouching for ‘Lost Dreams’ by Simon Wheatley, 2022



Hartford MFA show ‘Notes from a Detour‘ exhibition prints for Mico Toldero, 2022



Negatives, scanned and retouched, for the book ‘Some Thing Means Everything to Somebody’ by Peter Mitchell, 2015



Flatbed scans of prints from the project ‘No System’ for Vinca Petersen, 2020



Exhibition and collectors prints for Lua Ribeira as part of Bristol Photo Festival, 2021



Negatives, scanned and retouched, for the book ‘The Moth’ by Jem Southam published by MACK, 2018



Negatives, scanned and retouched, for the book ‘Looking at the Overlooked’ by John Myers , 2019



Negatives, scanned and retouched, for the book ‘Zanjir’ by Amak Mahmoodian co-published by IC Visual Labs/RRB Photobooks, 2019



Negatives scanned, retouched and colour balanced for the book ‘Epilogue’, 2021